The best music books that should be made into movies

This classic work vividly captures the language and color of the Thirties jazz scene straight from the horse’s mouth; loquacious and colorful pioneer saxophonist Mezzrow, who was best known among his crowd as their pot dealer. Director Phil Kaufman expressed some interest in the property years ago, but it remains a movie waiting to be made—an utterly evocative portrait of a time and place (and mentality) of a unique and distinctive moment in American history. Mezzrow was right in the center of the whole scene and he knew everybody. “I guess I must be the sociable type,” he writes, “My list of associates was beginning to look like a Barbary Coast police blotter on a Saturday night.”

Engineer Ken Caillat’s richly detailed account of the arduous and complicated creation of the classic Fleetwood Mac album reads like a novel. He winds together the personal and creative narratives that were tangled up in the months-long creation of this epic work, while the two couples in the band came apart and personal relations suffused the process. Calliat himself was conducting an affair with the studio manager. It was all sex, drugs, and rock and roll.

The epic life of French jazz guitarist Django Reinhart deserves a Spielbergian biopic treatment. After the cart fire where he damaged his hand and the personal epiphany of hearing a Louis Armstrong record, the Gypsy guitarist would bring jazz to Europe with his near magical musical improvisations. He lived a wild, carefree life, full of big cars, large dreams, and sensual pleasures. When the Nazis took over Paris, he returned to his homeland, opened one of the city’s most dazzling nightclubs, and made hit records that flooded the French airwaves during the Occupation. When the war was over, his career went out like a light switch and Django repaired to a quiet life in a remote riverfront village, spending his time fishing and painting nudes. 

Who knew the story of the first popular country music group would be wrapped around a heart-breaking romance? The poor, backwoods musicians from southern Virginia had sold more than a million records at the height of the Depression, but things were not well with the group. Sara Carter, the wife of stern, difficult A.P. Carter, leader of the group, had fallen in love with his young cousin. He was sent away to live in California and never mentioned again until one night many years later, when Sara dedicated a song to him on one of their late-night Mexican radio broadcasts. He heard it all the way out in California and contacted her. She completed her duties with the group and joined her love out west, where they spent the rest of their lives together, leaving her cousin Maybelle to carry on the family tradition with her daughters June, Helen, and Anita.

We need a documentary made from this exquisite history of how rock and roll came to Great Britain by the redoubtable Pete Frame, best known for his intricately calligraphed and intensely researched Rock Family Trees. He walks readers through the rise of Tommy Steele and the 2I’s club in Soho, where Cliff Richards, England’s Elvis, and other nascent stars of the new sound were discovered. He skillfully entwines the strains of skiffle, trad jazz, and early British r&b into his narrative and brings to life early British rock and rollers such as Marty Wilde, Billy Fury, Vince Taylor, and others who never made their way across the Atlantic, setting the stage for the emergence of the Beatles and nothing less than an explosion of British culture on a global scale after the many long, dark years following World War II. This brilliant book is stuffed full of original research and information unavailable elsewhere (RIP publisher Johnny Rogan).